upcoming events & lectures
âWorks in Progressâ Seminar Series
Sex, text, ur-text: Freudâs Dora and the erotics of knowing
Wednesday, May 3, 2017
Presenter: Adele Tuter, M.D., Ph.D.
This presentation draws on the first of a series of three essays on the erotics of knowing. The textual preoccupations of Freudâs case history of Dora encourage the proposition of its intertexual relationships with a referenced literary source (Arthur Schnitzlerâs Paracelsus) as well as an occult ur-text (EĚmile Zolaâs Une page dâamour). These two texts anticipate, and, I propose, suggest two of Dora's interrelated subtextual themes: the erotics of knowing and the problematics of reality. These subtexts are condensed within the leitmotif of textual suggestion: a symbolic elaboration of the tension between the therapeutic potential of knowing at the heart of Freudâs project, and the corruptive suggestion and unleashed erotic desire that can undermine and destroy it.
No CME or CE credits offered.
No charge. All are welcome.
New York Psychoanalytic Society & Institute
247 East 82nd Street (between 2nd and 3rd Avenues)
The Marianne & Nicholas Young Auditorium
Adele Tutter, M.D., Ph.D. is Assistant Clinical Professor of Psychiatry at Columbia and University and faculty, Columbia University Center for Psychoanalytic Training and Research and the New York Psychoanalytic Institute. Her interdisciplinary scholarship has been recognized by the APsaA CORST, Menninger, and Ticho Prizes, among other honors. She is the author of Dream House: An Intimate Portrait of the Philip Johnson Glass House (University of Virginia Press), editor of The Muse: Psychoanalytic Explorations of Creative Inspiration (Routledge), and co-editor, with LĂŠon Wurmser, of Grief and its Transcendence: Memory, Identity, Creativity (Routledge), and is currently completing a second monograph, Mourning and Metamorphosis: Poussinâs Ovidian Vision. She chairs the APsaA Artist and Scholar in Residence Committee, sits on the editorial board of The International Journal of Psychoanalysis, Psychoanalytic Quarterly, Psychoanalytic Inquiry and American Imago, and regularly contributes art criticism to the Brooklyn Rail. She is in private practice in Manhattan.
NO CME OR CE CREDITS OFFERED.